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sca_garb
| SCA Garb's Journal 20 most recent entries |
Hi. A bit of a newbie question here. I would dearly like to stitch up a renaissance costume for my girlfriend- a shirt, pants, and vest- but the patterns I've found in the store only go to XL, and she is a good deal bigger than the measurements specified for XL. A sewing friend suggested I simply add a couple inches to all sides of the pattern, and this idea would probably work on the big, puffy shirt, but what about the more closely-fitted vest? I'd be willing to draft a pattern, if I could find a step-by-step guide, but I haven't been able to find anything really helpful. Any ideas? Thank you. 3 comments | post a comment
So now begins the hunt for fabric. I'm hoping to do a good deal of this out of materials I have at home, and keep the main expense limited to the fabric for the gown itself. Image of the dress I'm trying to recreate http://momtoast.livejournal.com/26896.ht ( More musings here ) 5 comments | post a comment
Respected friends:
How accurate was the female garb from Kingdom of Heaven? I am wondering because my persona I am working on is from that time/area (1180's Antioch). My persona is obviously not royalty, so the more blingy stuff is out of the question, but just as a general guide, how good or bad is it? 5 comments | post a comment
I am trying to find information or patterns for women's garb from 12th century Antioch. Having a bit of trouble here. Any suggestions? 3 comments | post a comment
One of my favorite bloggers has made an alternative to the duct tape double, and she's writing a tutorial. I thought I'd share the link here.
Hello, everyone!
My Mother and I have been working on this outfit for three weekends. The embroidery has been in process for significantly longer but I'm going to an event this weekend so I needed everything done. It's meant to be second half of the 11th Century, early 12th. It's not documented as I had a very specific idea of what I wanted and I was ok with not having full documentation. Specifically I wanted to have a significant amount of the underdress showing so the length of the overdress is mid calf. The sleeves are tight(ish) and about 3/4 length. We cut them to be wider which would be more period I believe but like this much better. It's meant to be a really practical outfit that can go outside without dragging on the ground or being too hot and enveloping while still looking good and being presentable for court. The idea was probably born out of similar garb I have seen in the SCA, if anyone has documentation for this particular style or aspects of it such as the length of the over-dress I would love to see it. The entire outfit was sewn by hand in running stitch with the hems done in a whip stitch.
At a yard sale found just over 3 metres of chocolate brown worsted wool- $6!!!! OH, what to make? On one hand, it only cost $6, so a simple tunic, but where else will I find such lovely fabric and maybe I should wait til I can make a kirtle or cothardie with it? 14 comments | post a comment
I am attempting to find some good images of a 14th Century cotehardie that has short sleeves. I am told it existed but am not having any luck finding something documentable online...guess I'm not very good at googling! I find a lot of gowns with lappets (which I don't want) OR I find images of short sleeves or sleeveless cotes but they are 15th Century, not 14th Century.
Hello, the list!
Sigh twenty years of garb making and I still have an uncomfortable time wrestling with making a key hole neckline any tips? (i can do the inside but the outside allways come out looking lumpy) 20 comments | post a comment
I'm not sure if she is wearing a farthingale under the skirt or not. It is certainly standing out quite a bit, but that may be from stiff pleating rather than a structured underskirt. Though I think the definite bell like shape argues for a farthingale. I love the sleeves. I will have to make a very wide sleeved chemise, so that it drapes through the sleeves that way. It seems the sleeves are made of two different sections, and then are tied to the gown at the shoulders. I think they are two sections, mostly because the stripes change direction. The partlet I will have to ruminate on as well. It looks like its made of a very sheer material with black ribbons or something stitched onto it. I think though I could use some creative liscence here, maybe use fingerloop braids rather than ribons, or something. Or embroider the stripes on. Depends on what base fabric I find. The gown itself looks like a simple but nice colored spotted brocade. The bodice has guards on it, probably black velvet from the descriptions in the book, or possible silk. Again, it willd depend on what I can find. The sleeves are green with gold stripes in pairs, also probably brocade, or silk. The forearms are slashed and the chemise is pulled through in big puffs. I don't see any evidence of ties, so maybe they are actually stitched together with a few catch stitches at the elbow and at the shoulder. The braid cap looks like its an embroidered fabric, and its being kept on by a thing white strip that looks like its buckled around her head? I will have to look into that, though I don't need much escuse to tablet weave something nice like that for a headband. I can't tell if the white line that goes back from her forehead is part of the headband or is just the part in her hair. And the cloak! Oh, isn't it pretty? Some large patterened brocade lined in black with a border of the same color with black dots, possible beads? Or considering the person, gems? And it seems she has a broach on the opening for her arm, a star around a gem sort of thing. I also hope to make the lace edged handkerchief, probably scented, as any lady of the time would have had a scented kerchief. 9 comments | post a comment
http://www.metmuseum.org/works_of_art/c
I know I should join an embroiderer's list, but I thought I'd ask here first. Does anyone have any tips for transferring embroidery patterns onto dark fabric? The light box just isn't working.
I have been searching high and low on the internet looking for a nice pomander to hang from my belt with my garb. I am making new garb for 14th century England and would love to have one.
I want to get back into re-enacting - I know how to do kit for me, but how do you make kit for an ever-growing baby?
I am making a kirtle according to this pattern. My fabric, has a slight nap, it is 4 yards 60 inch wool, a find at a thrift shop, so no extra available. Would it work if I cut the gores on the bias across the fabric- the first gore would be as per the diagram on this page, the second gore would be next to it - oriented the same way up and down, and so on across the fabric. The angle of the gore changes as you march across the fabric to be more horizontal than vertical. |
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